Multi-centre figure based on the work of Pablo Nemzoff. The figure is Phillipine Mahogany finished with shellac; the base Maple Burl finished with shellac and gun stock glaze to add a little brown. Overall height is 9".
No, I didn't, but I wish I had - I think it's too late now because the gun stock glaze might prevent the color from taking properly. I was thinking of stringing some "seaweed" around the base of the figure but couldn't figure out how to do it that didn't look too garish. I finally settled on rubbing the light brown glaze into the sides of the burl and leaving the center spines natural. Unfortunately, the shellac darkened them just enough so that it is difficult to tell any difference in color between the sides and center.
I agree with Bill about the title. The title is an important component. It immediately directs the viewer to consider the emergence of the figure from frothing water which, I think, negates the need for adding any color. I really like this one, Frank.
Thanks, Bob. Frothing water was the effect I was trying for with the semi-pyramid shape with the burl horns cascading from the top down into one corner.
Very attractive! I really like to see how people use burls to achieve an effect because I have some small pieces that I don't know what to do with so pieces like this help fire my imagination.
Very nice. That would make a good submission to a question asked last year about turning a female form.
You could turn some shell forms to enforce the idea that it is from the sea or carve something that looks like seaweed. I think adding seaweed other than wood would take away from the lovely work.
Robert Harper said: You could turn some shell forms to enforce the idea that it is from the sea or carve something that looks like seaweed. I think adding seaweed other than wood would take away from the lovely work.
I agree about the seaweed, which is why I never put any on it.